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Pontormo, Deposizione, Chiesa di Santa Felicita

Pontormo life and art

Jacopo Carducci, also known as Pontormo, most famous work 'Deposition from the Cross'

Map for 43.767059,11.252468
Piazza di Santa Felicita, 3


Pontormo is a Mannerist painter who grew up in the age of Lutheran Reformation and the Copernican Revolution, which both shifted away from previous cultural, religious and scientific paradigms.


In this socio-political context, characterized by wars, uncertainties and profound change, Pontormo was born in Empoli in 1494. The son of painter Bartolommeo Carrucci, Pontormo was exalted by Raphael, Michelangelo and Vasari.



At 14, he began his apprenticeship a the Florentine workshop owned by Mariotto Albertinelli. He then moved on to Piero di Cosimo’s workshop, and the workshop of Andrea del Sarto, also known as Rosso Fiorentino. From his most important early works to his final version of the Visitation, painted in 1516 in the cloister of SS. Annunziata,



Pontormo exasperates the Renaissance rules and perfection of his maestro, Rosso Fiorentino, introducing his own nervous and vibrant style. He begins a process of ‘classical corrosion’: he finally overcomes the classical style when he created the Pala Pucci in 1518 in Saint Micheal Visdomini. From this moment, his style is exemplary of the inherent anguish of Florentine Mannerists. Mannerism was the artistic movement that developed from 1520 to 1620 that profoundly revisited classical motifs. It broke away from Renaissance constructions and favored varied artistic ‘mannerisms’ or styles, like the cleanliness of lines, the use of geometric shapes, an expressive deformation of objects, the crude use of colour, the use of gesture, the bizarre and the ambiguous.


Under the protection of the Medici family, Pontormo continued to experiment with his refined figures, which over the years, became more and more disquieting. This is evidenced by some of his writings in his “Diary”, written from 1554 to 1556. In his writings, Pontormo describes his psychological sufferance and his changing artistic style. The art and his artistic vision became more and more disquieting. It also contains several designs and sketches from that period. Pontormo speaks of himself as a phobic, neurotic man that lives in solitude, a victim of his own physical sufferings, and describes himself as an eccentric, extravagant and suspicious man. His routine was simple: he often worked in his bedroom so as not to leave his own personal space. In his more mature works, his figures are elongated and seem puffed up as if meant to invade the surrounding space.



The Deposition from the Cross, painted in 1526-1528, and located in the Santa Felicita church in Florence, or in the Visitation, located in the Pieve di Carmigliano church, where his abstract use of color seems to take a break from any form of realism. His last work was a series of frescos in San Lorenzo, Florence, commissioned by the Grand Duke, Cosimo I dei Medici in the 1530s. His friend and pupil, Bronzino, completed the frescos. The last Medici family member destroyed them in 1738. All that remains of the frescos are some of Pontormo’s sketches.

Pontormo died on January 1, 1557 in Florence.




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