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Village of Mensano
Photo © Sailko
Photo © Sailko

Mensano

A medieval village in the shape of a crescent moon, overlooking the Val di Cecina and the Colline Metallifere (Metal-bearing Hills)

Mensano is a hamlet of Casole d'Elsa, which rises in a panoramic position between the countryside of the upper Cecina Valley and the wooded hills of the Colline Metallifere. The village is characterized by evocative alleys surrounded by silence. Its origins date back to the early Middle Ages, thanks to a document of the 10th century that referred to a church that has been lost.

In the 13th century, Mensano was a favorite destination of many noble families from Siena, but in the following century the town was the subject of contention between Florence and Siena; after falling into the hands of the Florentines, Mensano returned under the dominion of the Sienese after the Battle of Montaperti, the bloody battle also mentioned in the Divine Comedy. During the 16th century, finally, the village submitted to the family De’ Medici, passing permanently under the control of the Duchy.

Since its origins, Mensano has developed with a semi-cylindrical shape, probably to accompany the steep slopes of the land; the main street connected, and still connects, the religious fulcrum of the center to the civil complex. At one end of Mensano, there are two historical palaces, probably dating back to the 13th century, while at the other end of the village there is the parish church of San Giovanni Battista, the main building of the entire inhabited complex. Interesting from a historical viewpoint is also the Oratory of San Biagio, an ancient early medieval stone church.

The parish church of San Giovanni Battista

The first documents attesting to the existence of the parish church of San Giovanni Battista date back to the second half of the 10th century, while a papal bull of the 12th century confirms its status as a parish church and its belonging to the bishopric of Volterra.

The church is in Pisan Romanesque style, brought back to its original aspect thanks to the renovations carried out in the last century.
The use of marble and sandstone stones for the external walls gives the building a slight two-colour effect; the façade, simple and sober, is decorated by two half-columns that frame the portal, and by a lunette that surmounts it, also bichromatic. On the eastern wall, there is a second door, which compared to the main one shows more decorations in the half-columns and in the capitals. The bell tower, with a sail-like shape, dates back to the 17th century.

The first documents attesting to the existence of the parish church of San Giovanni Battista date back to the second half of the 10th century, while a papal bull of the 12th century confirms its status as a parish church and its belonging to the bishopric of Volterra.

The church is in Pisan Romanesque style, brought back to its original aspect thanks to the renovations carried out in the last century.
The use of marble and sandstone stones for the external walls gives the building a slight two-colour effect; the façade, simple and sober, is decorated by two half-columns that frame the portal, and by a lunette that surmounts it, also bichromatic. On the eastern wall, there is a second door, which compared to the main one shows more decorations in the half-columns and in the capitals. The bell tower, with a sail-like shape, dates back to the 17th century.

Interior of the parish church of San Giovanni Battista in Mensano
Interior of the parish church of San Giovanni Battista in Mensano - Credit: Federico Merlini

Inside, the parish church of San Giovanni Battista shows a basilica layout with three naves, each culminating in an apse; of these, only the central one is visible from the outside.

The naves are divided into five total bays, the last of which forms the presbytery, and are crossed by two rows of monolithic columns that, tapering towards the top, give a slender effect. The capitals surmounting the columns are perhaps the most valuable element of the church: of masterly workmanship and carved with different motifs, they are attributed to Bonamico, a Pisan master who left his mark also in the nearby the parish church of San Giovanni Battista in Pievescola. The semi-capitals framing the apse show instead the signs of the Volterra style, similar to the one that can be admired in the Cathedral of San Gimignano and in the parish of Santa Maria Assunta in Chianni.

Among the works of art kept in the church, some 16th century frescoes are worth mentioning: one of these depicts a Saint lying in a sepulchre and is attributed to the school of Ambrogio Lorenzetti. Interesting are also the baptismal font in stone, in Romanesque style, and the stoup, modeled in the shape of a galleon and dating back to the 17th century.

Valdelsa Valdicecina